Shakespeare's Changeling

Lord Oxford wrote poetry and produced masques in the Elizabethan court. By all accounts he was an excellent musician, dancer, champion of the tilt-yard, scholar and philosopher. Childhood samples of his literary efforts still exist. Many books were dedicated to him, and he was praised as a writer in The Arte of English Poesy and The English Secretary. Perhaps this public exposure, not desirable for a member of the nobility, is another reason for the use of a pseudonym.

William Shaxper of Stratford left us no known early writings. Except for one well educated son-in-law, his family was illiterate. His sketchy biography has been based on supposition and speculation, much to the chagrin of English teachers and students who have had difficulty associating the grain merchant from Stratford with the authorship of the world’s greatest plays. Shaxper’s possible kinship to Lord Oxford through Elizabeth Trussel, wife of the 15^th Earl, was suggested by Ogburn. It’s easy to see that family loyalty would empower Shaxper to protect his noble kinsman Oxford. Surely, the work enabled Shaxper to earn a profitable living and secure some shares in the playhouses.

Even at the time, Ben Jonson and his contemporaries doubted Will Shaxper’s authorship of the plays -- and they said so, in writing.

 In conclusion, it is important that we connect an author with his or her work, especially in terms of Shakespeare and the world’s greatest plays. In doing so, we show students that writers create within the context of their experience and environment. Learning, thinking and writing merge, and the result is a completely unique individual perspective. This can be seen in John Steinbeck’s empathy with migrant farm workers, Mark Twain’s steamboat life on the Mississippi, Emily Dickinson’s reclusive spiritual reflections and Harper Lee’s childhood brush with racism. An author’s life experience is the framework for a literary masterpiece.

For many years, academics have tried to forbid close scrutiny of the Shakespeare authorship, using vitriolic attacks against those who would know more. But like glaciers melting after thousands of years revealing artifacts buried long ago, the true biographical connections of the 17th Earl of Oxford to the Shakespeare canon are open to discovery.

The best secrets are yet to emerge, whether the traditionalists care to admit it or not.