The Garden House

Miranda awoke to the darkness of early morning. A barely-there breeze softly swelled the curtains, causing the sheers to billow as if in slow motion. Before going to bed, she had opened the window and parted the curtains, to better hear the sounds of the night and the morning birdsong. But at this hour all was hushed, except for the rhythmic breathing of her husband. The troubling sense of yearning, that of late had kept her company, had awakened with her. She slipped off the comforter, and walked to the window.

She lightly rubbed her bare arms. In the garden below, only the white flowers were visible – cone-shaped hydrangeas, discs of Queen Anne’s lace, full-blossomed peonies – dream flowers of night. They appeared weightless, as if they hovered in timelessness, and would not attach to the stems and roots until the fuller light of morning connected them. Further down, the garden house loomed out of the darkness – like the flowers, not yet anchored, still in silent communion with the night. As she rested her eyes on it, almost imperceptibly it shifted – from pale gray to the beginnings of white, gaining in shape and substance as dawn gave way to day. Now she could make out the blue trim, the window boxes. Soon it would stand firm in the bright light of morning.

Everything was right there – in the tenuous linking of night with dawn, in the garden house full of memories, in the flowers and paths of the garden, in the longing that spilled out into it all. It was as if she were looking at a puzzle, and almost had it pieced together while it lingered at the edge of night – but then it completely disappeared with the morning light, as if it had never existed.

Breakfast. She would make breakfast.