Newly retired Martin Preuss passes his days quietly with his beloved son Toby. When a friend asks him to look for a boy who disappeared forty years ago, the former investigator gradually becomes consumed with finding the forgotten child. Meanwhile, ex-colleague Janey Cahill persuades him to help her locate the missing father of a troubled young girl. Juggling both cases, Preuss revisits the countercultural fervor of Detroit in the 1970s--and plunges into hidden worlds of guilty secrets and dark crimes that won’t stay buried.
As he plunges further and further into the past, Preuss searches for anyone who might be able to help him. Because the young man he is looking for wanted to be an artist, Preuss's search takes him into the Detroit artist community. Looking for someone who might have been around in the mid-1970s, he speaks with some of the older artists around town. Some are willing to be helpful, while others, like Lena Donetti in this scene in Chapter 16, are mostly irascible.
This excerpt is where the case begins. The main character, Martin Preuss, recently retired from the Detective Bureau of his city's police department, is at loose ends. A friend of his, a private investigator named Manny Greene, asks Preuss to have dinner with him and introduces him to couple whom Manny hopes Preuss can help. Here, the couple explain to Preuss what their problem is.
COLD DARK LIES is the sixth explosive entry in the riveting Martin Preuss Mystery series. When distraught Carrie Morrison hires Martin Preuss to find out how her younger brother wound up clinging to life in a disreputable Ferndale motel, the private detective thinks the story will be a familiar one—a young man takes a walk on the wild side and pays a terrible price. But the deeper Preuss digs, the more he realizes that nothing is as it seems in the brother’s world of secrets and lies. How is the young man involved with a missing prostitute? What’s the link to a local rap mogul who moonlights as the city’s main drug supplier? Why is a stone-cold killer out for revenge with Preuss in his cross-hairs? And—most upsetting of all—why is a local crime boss threatening Preuss’s beloved handicapped son Toby? A 5-star Reader's Favorite.
Martin Preuss isn't the typical hard-boiled super-detective. I consciously set out to make him as realistic, and as human, as possible. As a result, he's a complex character, dedicated to his cases as a private detective but also dealing with his own demons . . . particularly his feelings of guilt over the death of his wife and the disappearance of his older son, and the bundle of issues involved with caring for his younger son Toby, who is multiply handicapped and whom Preuss loves fiercely. Sometimes the pressures of dealing with his demons, as well as taking on the troubles of his clients, leave him morose and terribly sad. In this excerpt, Preuss has given his son a bath in the group home where Toby lives, and then reflects on the role of sadness in our lives.
This bubble introduces one of the more colorful characters of the Martin Preuss Mystery Series: Franklin McShane, an ex-FBI agent who has helped Preuss out on previous cases, and whom Preuss calls for help with this one. Suspicious of everything and prepared for anything (as this excerpt shows), McShane is a major annoyance but he's a good man to have in a bad situation.
The action of COLD DARK LIES takes the private investigator, Martin Preuss, across the entire metropolitan Detroit area as he searches for answers to the multiplying mysteries of his case. His search goes from the affluent northern suburbs into the heart of Detroit itself. Though many parts of the city are beginning to revitalize after a long decline, there are still neighborhoods where the housing stock is old and decayed, and the regeneration has not yet taken root. This excerpt describes one such area where Preuss searches for a character named Meeshell Lee who will, he believes, prove vital to his case.
This excerpt comes from a scene early in the book where the private investigator, Martin Preuss, has his first interview with a potential client. The woman, Carrie Morrison, tells Preuss that her brother is in the hospital and he asks the question that launches the main mystery investigation. Before it's over, Preuss will discover that nothing is as it seems in the brother's complicated world of secrets and lies.
This excerpt introduces Toby Preuss, the 20-year-old son of the main character, private investigator Martin Preuss. Toby is his father’s remaining family member, for reasons I won’t go into here (no spoilers!). Toby is profoundly handicapped, born with cerebral palsy and a list of disabilities that fill a whole page of his yearly IEP (Individualized Education Program), including cognitive disabilities, seizures, visual impairment, scoliosis, and paraplegia. Though the teen-aged Toby lives in a group home because the widower Preuss can’t take care of all his son’s needs, Preuss loves his son fiercely. They spend as much time together as possible, doing things Preuss knows his son enjoys— going to parties, to the movies, on walks, to the library, and so on. The character of Toby is a lovingly drawn portrait of my grandson Jamie, who is no longer with us; he died after I finished the first book in the series but just before it was published. Writing about Toby helps keep Jamie alive. By remembering how he looked and sounded and acted, and endowing a fictional character with all his qualities, I can conjure up the sweet, loving child and keep him close to our hearts for a while longer. As a result, some people come away from the books loving Toby as much as his father does.
This is the first chapter of Cold Dark Lies, the sixth novel in the Martin Preuss mystery series. The idea for the book came to me many years ago, when I read a newspaper article about an auto executive who was found dead at a sleazy motel in a Detroit suburb. I was fascinated by this, particularly by the difference between the executive's cushy lifestyle in one of Detroit's wealthiest suburb, and the end he came to in a motel at the exact opposite end of the socioeconomic scale. This idea stayed with me ever since, and when it came time to write the sixth entry in the series, I decided now was the time to use this idea that had stayed with me for so long.
Three innovative authors imagine the end of humanity. Postcards From the Future is the remarkable result. Andrew Lark’s “Pollen” is a riveting, multiple point-of-view account of a strange atmospheric phenomenon that destroys humankind’s ability to reproduce, ushering in the extinction of our species. Donald Levin’s “The Bright and Darkened Lands of the Earth” is a gripping tale set in a desperate, post-apocalyptic future where a heroic woman battles ecological and social collapse in an effort to save her tribe—and humanity—from certain annihilation. Wendy Sura Thomson’s “Silo Six” is a suspenseful story of love and survival set far into the future, when the sun begins its transformation into a red giant and scorches the earth into a virtually uninhabitable cinder.
A century and a half in the future, when this tale takes place, there have been many changes to society, all of them bad. Books have virtually disappeared, and the language that the inhabitants of the novella use has shrunk as their worlds have shriveled to the basics of survival. A small cadre of people have taken it upon themselves to search for books to preserve learning for some future day when it will be valued. In this excerpt, the main character of the novella, Ash, runs into one of those people . . . and neither one knows what to make of the other.
In "The Bright and Darkened Lands of the Earth," the main character is a woman named Ash. Her tribe consists of mostly women who live underground, away from the toxic air and land of the dead earth, under the direction of a Council of Elders. In this excerpt, the chief elder, Odile, reflects on the current dismal situation of her tribe, and the possible role of Ash in the future of the group.
Andrew Charles Lark's "Pollen" unfolds in a creative, unconventional format. Rather than being a standard narrative, "Pollen" tells its story through a variety of points of view. Activists, scientists, regular people, writers, clergy, post-Pollen children . . . all contribute their perspectives, which Andrew deftly weaves together to make as full a picture as possible of the catastrophic effects of Pollen. This excerpt comes at the end of the Prologue, written by the man who spent his life painstakingly collecting the tales. He describes how--and why--he did it.
The main character of my novella, "The Bright and Darkened Lands of the Earth," is a young woman named Ash. She makes three journeys in the novella: the first in her tribal role as a scavenger for food or anything else that might be of use to her underground tribe, and the other two journeys with more specific purposes. This excerpt is the beginning of her second journey, where her instructions start with finding a nearby river. Her trek takes her into parts of the post-apocalyptic wasteland where she has never been before.
Wendy Sura Thomson's "Silo Six" is a wonderful combination of science fiction, action adventure, and romance. Set far into the future, the main characters, Bailey and Ephraim, try to carve out a life for themselves in a society where every aspect of life is regulated. Their plans to start a family move along smoothly--until a looming cosmic disaster threatens everything.
Donald Levin's novella, "The Bright and Darkened Lands of the Earth," takes place not-so-many years in our future, but the Earth is ecologically desolate and people either live underground or else take their chances in a poisoned land. In this excerpt, Ash, the main character, is out scavenging for anything her tribe can use. But she runs into a man whose intentions, she thinks, may prove deadly.
Andrew Lark's "Pollen" is a fascinating and complex look at an event that fundamentally changes the history of humanity. Is it man-made? Extra-terrestrial? Supernatural? One thing is clear: it's gorgeous . . . at least at first.
Twenty years have passed since Raymond Douglas went to prison for the kidnapping and murder of a local businessman’s wife. Now Douglas’s daughter has hired private investigator Martin Preuss to track down a previously-unknown accomplice to the crime—who may not even exist. But no sooner does Preuss get involved than he finds himself entangled in two murders, a family whose wealth has bought them nothing but trouble, a body discarded in a dumpster, and a web of deceit stretching across metropolitan Detroit from the megarich suburbs to a hardscrabble trailer park. AN UNCERTAIN ACCOMPLICE blends greed, misplaced loyalties, and the cascading effects of violence into a riveting crime novel that’s impossible to put down.
The book starts out when a former flame, a reporter, contacts private investigator Martin Preuss with a possible case for him. The daughter of a recently deceased convict, Raymond Douglas, wants to find somebody to re-investigate Douglas's case. The reporter suggests Preuss. Preuss and his old flame meet at a local street fair where he takes his handicapped son Toby. They repair into a local restaurant so Preuss can fill in some of the details of the old case for the reporter. Though Preuss is glad to see her, he still wonders if she is being on the level with him.
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